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BESPOKE COUNTRY SUITS HENRY POOLE & CO.
Forgive me, dear reader, if I pause here for a moment to comment upon this word ‘bespoke’. Its origin is simple – deriving from the action of the customer in choosing a piece of cloth, which was thereby ‘bespoken for’ – but it has recently been the cause of some controversy. There are nowadays, largely for commercial reasons, those who use ‘bespoke’ as a synonym for ‘made to measure’. This is a pity. Traditionally, ‘bespoke’ has meant far more than that. In particular, it has required certain techniques in the making of the garment which have been (and are) inevitably time-consuming and expensive. In particular, these have involved the making of paper patterns for the individual customer and the canvassing of the garment by hand, with a floating canvass and not the cheap substitute of a fused interlining (used widely in garments by lesser tailors). To lose this meaning of ‘bespoke’ would be a serious loss. Be assured that at Henry Poole only bespoke tailoring in the traditional sense is countenanced.
A three-piece suit seemed appropriate. (This meant that the price would be £3,229.43, including V.A.T. A two-piece suit would have been £3,004.87.) I decided upon a single-breasted jacket, with peaked lapels. An extra outside ticket pocket would be on the right side, a single vent would be in the rear and the lining would be red, of the brighter sort. The waistcoat would be single-breasted, with 6 buttons (5 to fasten), a strap and buckle to the rear and an extra (vertical) buttonhole for the chain of my pocket watch. The trousers would have turn-ups, a button fly, straight side pockets, no back hip pocket, a front inside lining, double pleats of the English sort (i.e. facing inwards), a ‘braces back’ and buttons for braces – as always, the front ones outside and the back ones inside (to protect the seat leather of the Royce when I drive jacket-less).
Mr Alexander asked whether I would like the distinctive features of a country suit. I rejected the three cuff buttons, going instead for the usual ‘city’ arrangement of four, all to be working. But I accepted the ‘swelled’ edges to the jacket and waistcoat and the raised side seams to the trousers. If you look carefully at the pictures, you might be able to discern the effect of these country features. In due course the first, second and third fittings came and went. The length of the sleeves was adjusted, the waist of the trousers and the waistcoat was taken out and the fit around one shoulder was improved. Then, when the perfectionist demands of Mr Alexander were satisfied, it was finished.
I could not be more pleased with the result. As I hope you can see from the photographs, this suit has about it a touch of grandeur. I have been told that it makes me look a little like Evelyn Waugh – which, doubtless, is why I am imitating the great man with the grumpy expression I am wearing in the full frontal view. The fit is first class, and the suit is remarkably comfortable to wear. In every respect it exceeds the high expectations I had at the outset. The workmanship is of the very best. The carefulness with which the buttonholes have been constructed is a joy to behold. And it delights me, at each wearing, to note that the stripes of the check have been aligned at the seam across the shoulders. (There are those who criticise me for advocating this particular harmony. But when I look at what the tailor has achieved, such criticism seems entirely irrelevant.) It had been my intention to keep this suit for those occasional expeditions to the country. It will certainly be at home in any country house. But I know that the temptation will be too great: it will be also seen on the streets of the city.
My visits to Savile Row for the making of this suit were expeditions of pure pleasure. For what I always found at number 15 Savile Row was an atmosphere of civilized calm. And civilized calm is what I feel when I put on my new country suit. That is why I offer my thanks to Henry Poole & Co., Bespoke Tailors.
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2 piece suits from £2,808.10, including V.A.T.
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© Francis Bown 2004